About this book
Law of Desire, one of three inaugural titles in Arsenal's film book series Queer Film
Classics, focuses on the 1987 homoerotic melodrama by Pedro Almodóvar, Spain's most successful contemporary film director.
The film Law of Desire is a grand tale of love, lust, and amnesia featuring three main characters: a gay film director (played by Eusebio
Poncela); his sister, an actress who was once
his brother (Carmen Maura); and a repressed,
obsessive stalker (a young Antonio Banderas).
In the twenty-plus years since its first release,
Law of Desire has been acknowledged as redefining the way in which cinema can portray the
difficult affective relationships between homosexuality, gender, and sex. Taking his cue from the golden age of Latin American, American,
and European melodrama, Almodóvar created
a sentimental yet hard-edged film that believes
in the utopian possibilities for new relationships
that redeem people from their despair. Since its
release, Almodóvar has become an Oscar-winning
filmmaker who regularly delves into issues
of sexuality, gender, and identity.
This book examines the political and social context
in which Almodóvar created Law of Desire,
as well as its impact on LGBT cinema both in
Europe and around the world.
The film's twists and turns, the director's bold color scheme, and the layers of meaning to be found in the film are meticulously detailed by Quiroga.
(Boston, Chicago, etc.)
[Quiroga] views the narrative within larger social, sexual, and cultural contexts, and his supporting analyses of specific scenes, cinematic elements, and dialog reflect his extensive research, as do his references to other works by director Pedro Almodovar.
Arsenal Pulp Press launched its Queer Film Classics series last fall, and may we say? It's about time. While the film world has produced critical analyses of movies by and about LGBTQ people and subjects, an attempt to assemble works on the most influential of those movies has not been attempted. It's rare and exciting to see a series like this come to fruition... Quiroga takes the long view on Almodóvar's career, examining how his early work fed into his Oscar-winning and internationally renown pictures of the late 1990s without losing its unique queer perspective and nuanced takes on gay relationships, something that only the Spanish "movida" movement could have made possible to show onscreen.
Quiroga brilliantly contextualizes the significance of the film's individual scenes as well as its idiosyncratic themes and motifs, while linking all to Almodóvar's oeuvre generally, treating the 1987 film as a particularly pivotal text in not only Almodóvar's career but also in post-Franco Spanish culture.